Description: SADiE 6 software marks another major step in the evolution of high-quality audio recording and production tools in the computer environment, allowing a choice between proprietary audio I/O and DSP processing, or standard soundcard I/O and DSP functions running on the host computer We are providing 8 Hours only per day.

Description: state-of-the-art technology. High-quality material and sound know-how, as well as a clever concept enable your TRIXY Remote System to do a professional job, which you will really enjoy when doing your responsible work at the set. TRIXY Remote System is a high-quality tool, which enables the creative camera man to do an excellent job – fast and easy – with fantastic shots and camera moves. The TRIXY Remote System is a product that has been created and built by experts for experts – to satisfy the high demands of every camera man. We hope that. With up to three axes, cameras can be moved in every conceivable direction. Slip rings enable unlimited freedom of movement.

Description: Smart Assist are hardwares developed by Ovide and powered by QTAKE, the most advanced software for video assist operators. Ovide has developed Smart Assist to make video assist lifes easier: an all-in-one 22x4” size monitor-hardware contains all the electronics inside . now you can work in 4K. Smart Assist 4 allows to record, playback and do all the FX with one camera in superb 4K or with 4 HD (or 2K) cameras, it is your choice.

Description: ARRl Wireless Lens Controller Compact Unit WCU-4: The Wireless Compact Unit WCU-4 combines three axes of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day.

Description: The Cine jib Crane System is Platform operation, durable and provides unmatched ease of movement and steady crane moves. The simple rigging assembly and fast set up make it extremely popular. • Operates either on track or on ground. • Simple rigging assembly. • Fast and easy set-up. • Lightweight parts. •Surface hardened finish.

Description: MAC PRO 2.7GHz 12-CORE INTEL XEON E5 /2 APPLE DISPLAY 27"/ KEYBOARD WIRELESS / MOUSE \Q4 Software: Adobe Creative CC :( After Effect , photoshop ,Illustrator , Premiere ) Avid Media Composer 3D MAX MAYA Real flow VUE Xstream Plugins For Vue Cinema 4D

Description: Fujinon Zoom Lens ZK2.5X14 (14-35 MM) Cabrio: Designed using the latest proprietary optical imulation software, the PL 14-35 mm wide angle lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output—including the position of the zoom, iris, and focus—is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units. The PL 14-35mm Cabrio lens has a detachable digital servo drive. The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be used as a handheld, capturing wide angles in tight spaces, it’s ideal. The PL 14-35 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.

Description: Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. *Expected as a future upgrade. ** Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximize versatility in 2D and 3D The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting.

Description: Fujinon ZK19-90mm T2.9 Cabrio: The 19-90mm Cabrio (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.85kg including servo motors, this lens has the longest focal range available in a light weight zoom. Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses. The digital servo on the 19-90mm Cabrio has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate. The 19-90mm covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible. Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field. The 19-90mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 19-90 offers uncompromising quality and unprecedented flexibility.

Description: Fujinon ZK19-90mm T2.9 Cabrio: The 19-90mm Cabrio (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.85kg including servo motors, this lens has the longest focal range available in a light weight zoom. Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses. The digital servo on the 19-90mm Cabrio has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate. The 19-90mm covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible. Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field. The 19-90mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 19-90 offers uncompromising quality and unprecedented flexibility.

Description: The Codex S-Series is a modular, rugged device with super-fast processing and transfer times. Customise to your particular workflow on a specific project. Ideal for shooting on location, it’s ready to go wherever you need it to accelerate your production pipeline and secure your data. Use a combination of different cameras, but bring everything together through a unified, streamlined process. Combine Codex S-Series with Codex Vault Platform for a complete QC, review, colour, transcoding and archiving solution. Because it’s modular, the Codex S-Series can be configured to suit any project. The Transfer Module is the core, with docks for various types of media. Add the Storage Module for removable RAID-protected storage – 8 or 16TB Transfer Drive for backing up and transporting your data wherever it’s needed. Add the Review Module for playback, colour and QC as well as super-fast GPU processing.

Description: Twister Dolly: Central feature are the combined tyre and track wheels. They allow for camera movements on track (62 cm / 2 ft gauge) or on ground without the need for time consuming conversion. Furthermore the Twister glides with an overall width of 78 cm / 2’7’’ through any door with ease. By the three selectable steering modes FRONT, REAR and ROUND-A-ROUND the Twister Dolly twists cleverly in all directions and navigates exactly around the motive. According to the requirements either the front wheels or the back wheels move independently from each other or all four wheels move together. By the minimum inner turning radius of 42 cm / 1’8’’ also narrow curves are easy to run. Both steering axes have an optimized steering geometry for cornering with low dynamic friction (thus minimal operating noise) and accurate movements. Thus circular shots are also repeatable without tracks.

Description: Media Composer is the top choice for professional film and video editing in the industry. Whether you edit movies, TV shows, commercials or other video, this industry-standard nonlinear editor provides performance, easy-to-use editing tools, and streamlined HD, file-based, and stereo 3D workflows. Digital Difference can provide you with a custom system designed to suit your needs and budget, from a standalone software solution, to multi-suite fiber-networked Unity editing facilities complete with furniture, tell us your goals and we’ll design a system that’s right for you. Includes the following : *Apple MAC PRO 2.7GHz 12-CORE INTEL XEON E5 ,64GB RAM, 1TB INTERNAL STORAGE+ 2 AMD FIRE PRO D700 GRAPHIC CARDS +TWO 27" APPLE LCD display *TWO ACTIVE MONITOR SPEAKER / BEHRINGER TRUTH B2030A We are providing 8 Hours only per day. The Price including 8 TB storage.

Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.

Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.

Description: Proffesional audio recording & music composition Audio post-production and recording studio that caters to filmmakers and musicians with diverse interests. Our sound booth is an acoustically isolated and treated room allowing for clean recordings of ADR, voice-over, Foley, and music. Software : Cubase 8 Pro w/ sampler & Fx proccessor plug ins Includes the following PC Core I7 3.4 GHZ 32GB Ram Avid -ProTools Artist Mix Avid Pro Tools HDX OMNI System JLCooper FaderMaster Pro - 8 Fader MIDI Automation Controller HP Z440 workstaion E5 + HP EliteDisplay E27-inch Native Instruments Kontrol S61 MIDI Keyboard Review AKG Pro Audio C414 XLII Vocal Condenser Microphone, Multipattern Shure SM57-LC Microphone MICROPHONE BEHRINGER ULTRAVOICE XM8500 Audio Technica MB3000L Dynamic Microphone Steinberg UR824 Audio Interface (HARDWAER+ SOFTWARE) ACTIVE MENTORING UNIT LOAD SPEAKER SHIELDED-GENLEC-(1031AB1) Sony MDR-CD280 CD Series Headphones Sony MDR-XD100 Stereo Headphones

Description: PANTHER HUSKY DOLLY: The Husky Dolly can be used for smaller film productions, as well as television productions. Designed as a doorway dolly, it is fairly light and easy to transport with a weight of only 27 kg | 59.5 lbs. At the same time, it’s a stable platform allowing up to 250 kg | 551 lbs of payload. The Husky Dolly gives you total flexibility and creativity for realizing your ideas. The cameraman and assistant can stand, sit or even knee on the dolly’s solid platform.

Description: Mercedes Atego 1218: Vehicle data: Cab / cab short. Payload 7,262 kg. GWR 11,990 kg. Wheelbase 4,760 mm. Steering left-hand drive. Suspension: Pneumatic suspension. Paint: traffic blue. Equipment features: • AdBlue tank, 25 l. • AdBlue tank, plastic. • Axle ratio i = 3.308 (HL4/6). • Emissions monitoring for nitrogen oxide (NOx). • Front axle 5.3 t. • Front spring, 4.7 t, parabolic. • Front underride guard (EC). • Main silencer, right, side, on frame. • Main tank, 180 l, plastic. • On-Board Diagnosis 2, with NOx check. • Protective device, side. • Rear axle H4, 11 t, crown wheel 390 mm. • Rear underride guard (EC). • Splash guard in wing. • Stabiliser, rear axle, under frame. • Stainless-steel silencer with SCR cat. conv. • Steering LS 4. • BlueTec 5 (Euro V). • Clutch supplier F&S. • Engine, start/stop system. • Engine, 4-cyl. in-line, LA, 130kW (177hp), 2200 rpm. • Exhaust brake, with constantly-open throttle valve. • Gearshift, manual. • Speed limiter, 90 km/h, EC. • Transmission G 60-6/9.2-1.0 • Cab. • Distribution cockpit. • Front mirror, aerodynamic. • Immobiliser, with transponder. • Mirror on driver's side, electrically adjustable. • Pollen filter. • Roof hatch/vent, roof. • S cab. • Stowage facility above windscreen, 2 compartments. • Stowage facility, on engine tunnel. • Windows, tinted, without sun filter. • Safety. • Anti-lock braking system (ABS). • Co-driver's seat, static, Isringhausen. • Disc brakes on front and rear axle. • Driver's comfort suspension seat, Grammer. • Tail light, for mounted tail lift. • Radio/navigation/eletronics. • Battery/batteries, higher capacity. • Inst. cluster, graphics-capable display, eco-meter. • Provision, 12-V radio, retrofit. • Tachograph manufacturer VDO. • Voltage transformer, 24 V/12 V, 8 A. • Tapered rims, 7.50x19.5, for 285/70 R 19.5. • Wheel nut cap. • Additional appointments. • Control unit, Common Powertrain Control (CPC). • Global Cockpit. • Labels/publications, Dutch. • Noise reduction measures, EC 96/20. • Vehicle, for right-side traffic. • Dimensions : ( 9.2 x 2.55 x 3.88 ) m

Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.