Description: Zeiss LDS Ultra Prime 12/T1.9: Ultra Prime lenses were the first to be kitted out with ARRI’s revolutionary Lens Data System (LDS). The LDS Ultra Prime series consists of Ultra Prime optical elements transplanted into specially designed housings that allow each lens to communicate with the camera electronically, easing tasks on set and providing valuable metadata for post-production. Main Features: • Floating elements for outstanding close-up performance. • Covers Super 35. • Genuine internal focus for sensitive focusing. • Increased image contrast and resolution over the entire focal range. • Super color matched with Ultra Prime, Master Prime, and Alura Zooms Uniform and constant position of scales. • Built-in encoders and electronic PL mount (PL-LDS) for lens metadata.

Description: The 788T is the right choice for demanding production sound applications. With its eight inputs, it is perfect for high track count applications ranging from over-the-shoulder reality-style production to cart-based drama production. The 788T-SSD features eight high bandwidth, ultra-low noise microphone preamplifiers. Inputs feature input limiters, input delay, and selectable high-pass filters. It also accept analog line level or AES digital signals. Six analog and six digital outputs are available on multiple connector types, including TA3, multi-pin, and 3.5 mm. Any input can be routed to any of 12 recording tracks. This offers iso recording of inputs plus recording a two-channel mix and two aux tracks. Any record track can be assigned to each of the three recording media. This allows, for instance, a two-mix to be recorded to CompactFlash while isos and a mix can be simultaneously recorded to the internal drive.

Description: Superior optical performance, reliability and lightweight robustness make these standard units for film lighting. Short focal length lenses give a wide-angle, highly controllable and even field. High efficiency and even light distribution has always been ARRI's highest objective. The elegant modular construction using aluminium extrusions and lightweight pressure die-castings offers great structural strength while being light and weather resistant. All serviceable parts are readily accessible. Effective ventilation at all burn angles is guaranteed due to the special housing design. All ARRI lampnheads naturally comply with the latest European standards.

Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.

Description: Mercedes Atego 816: Vehicle data, Cab, Cab short, Payload 2,590 kg GWR 7,490 kg, Wheelbase 4,220 mm, Loading space (L/W/H) 6180 / 2500 / 2400 mm Steering left-hand drive, Suspension, Steel spring, Paint, arctic white. Equipment features: • Chassis. • Main tank, 125 l, plastic. • Drive system. • Engine version, Euro III. • Engine, 4-cyl. in-line, LA,130kW (177hp), 2200 rpm. • Transmission G 60-6/9.2-1.0 • Cab. • S cab. • Safety. • Anti-lock braking system (ABS). • Centre seat, with seat belt. • Driver's comfort suspension seat, Grammar. • Radio / navigation / electronics. • Tachograph, 1 day+2 drivers, modular. • Dimensions : ( 8 x 2.5 x 3.5 ) m

Description: Zeiss LDS Ultra Prime 14/T1.9: Ultra Prime lenses were the first to be kitted out with ARRI’s revolutionary Lens Data System (LDS). The LDS Ultra Prime series consists of Ultra Prime optical elements transplanted into specially designed housings that allow each lens to communicate with the camera electronically, easing tasks on set and providing valuable metadata for post-production. Main Features: • Floating elements for outstanding close-up performance. • Covers Super 35. • Genuine internal focus for sensitive focusing. • Increased image contrast and resolution over the entire focal range. • Super color matched with Ultra Prime, Master Prime, and Alura ZoomsUniform and constant position of scales. • Built-in encoders and electronic PL mount (PL-LDS) for lens metadata.

Description: Daylight is a powerful dailies platform for shot management and high-performance trans-coding. It is designed as a compact yet powerful grading decision tool to help DoPs and directors establish looks and visualize what they have shot, on set or on location, as well as meeting all of the sophisticated deliverable requirements—in one application. Main Features: • Software / only solution for dallies workflows. • Uses core baselight technology on Mac OSX Platform. • From ingest and review to generation of all deliverable. • Render free delivery of color intent via grading metadata. • Bridges gap between On-set preview and post production.