Arabtelemedia Studios
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Description: Zeiss LDS Ultra Prime 14/T1.9: Ultra Prime lenses were the first to be kitted out with ARRI’s revolutionary Lens Data System (LDS). The LDS Ultra Prime series consists of Ultra Prime optical elements transplanted into specially designed housings that allow each lens to communicate with the camera electronically, easing tasks on set and providing valuable metadata for post-production. Main Features: • Floating elements for outstanding close-up performance. • Covers Super 35. • Genuine internal focus for sensitive focusing. • Increased image contrast and resolution over the entire focal range. • Super color matched with Ultra Prime, Master Prime, and Alura ZoomsUniform and constant position of scales. • Built-in encoders and electronic PL mount (PL-LDS) for lens metadata.
Description: ARRI Studio Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.
Description: Precision Steel Track: The Precision Steel Track is manufactured of a stainless steel tube in combination with an aluminium beam. This construction is not only lightweight but also very rigid and insusceptible to shocks: • Easy set up and track laying, as just little sub-base is needed. • The tube diameter of 38 mm/1.5 inch allows excellent tracking stability. • For dollies or cranes up to 2.500 kg/ 5.500 lbs applicable.
Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.
Description: ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations.
Description: The JAB Daylight LED fixture in AAdynTech’s JAB Series lineup is one of the most sought after lighting fixtures on the market for good reason. Whether for Broadcast ENG remote field production, fixed studio installation, live sports coverage, video shoots or film, the JAB Daylight provides a wealth of practical benefits and features ideally suited to a wide range of lighting applications. Weighing in at only 19 lbs., its small compact footprint allows for an ease of transport for on-the-go lighting assignments. An unmatched output of better than 2,500 foot-candles at 10 ft. combined with a maximum current draw of a mere 1.77 amps at full brightness means savings up to 90% A/C energy usage. If that weren’t enough; the fixture can be operated on 28.8v DC battery power for instances where conventional A/C supply is problematic or non-existent. Unlike HMI fixtures, the JAB Daylight generates no heat and no harmful UV or IR emissions – an important safety consideration for both talent and crew. The fixture is self-contained with an auto-ranging universal power supply requiring no heavy, expensive ballast, head cables or replacement lamps. As with all AAdynTech fixtures; instant ‘ON’ ensures no warm-up wait time on set – ever. Optical efficiency provides a single light source effectively eliminating multiple shadows. The Daylight comes equipped with four quick change hard gel lenses to vary the beam angle; very narrow, narrow, medium or flood while maintaining a flat, even field.
